The important thing is that it represents a transition from "no compression" to "full compression". The first is a pretty hard limiter, the second is going to be a very transparent effect, something perhaps for larger dynamics rather than trying to squash a drumkit.Īs beeps-n-boops points out, knees don't have to start above the threshold, they can start below, or be centered around the threshold too. Maybe you have a 1.5:1 compressor and you set it at -25 with a 15 dB knee. Maybe you have a 20:1 compressor and you set it at -3 dB with a 3 dB knee. It's in the name - a hard knee has a more pronounced effect and a soft knee has a more "natural" or "transparent" effect. Four decibels above the threshold in that case might only be compressed by half, because it's still in the knee. So a 6 dB knee with a threshold of -20 means that you won't have full compression until the signal hits -14 or higher. So with a 4:1 ratio if you're 4 dB above the threshold you will end up only 1 dB up.Ī soft knee (knee > 0 dB) means that the compressor will transition from no compression (1:1) to full compression (ratio:1) at knee decibels above the threshold. Maybe swapping out the crunchy options for a couple more acoustic models would have made it even more useful, but this remains an appealing six-string multi-tool and a genuine problem-solver for many gigging players.A hard knee (a knee of 0 dB) is when a compressor goes from 1:1 at the threshold immediately to the full ratio above the threshold. “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar. The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.” A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. ![]() It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. ![]() The sound is just coming from the piezo and as you turn the blend control it adds drive. ![]() Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing.
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